{"id":1548,"date":"2019-12-11T12:41:51","date_gmt":"2019-12-11T01:41:51","guid":{"rendered":"http:\/\/greatgigs.com.au\/?p=1548"},"modified":"2024-05-30T20:59:06","modified_gmt":"2024-05-30T10:59:06","slug":"lloyd-cole-and-neil-clark-hamer-hall","status":"publish","type":"post","link":"https:\/\/greatgigs.com.au\/index.php\/2019\/12\/11\/lloyd-cole-and-neil-clark-hamer-hall\/","title":{"rendered":"Lloyd Cole and Neil Clark @ Hamer Hall"},"content":{"rendered":"\n<p>11 December 2019<\/p>\n\n\n\n<p>It&#8217;s been a whopping 33 years (1986) since Lloyd Cole first set foot on Australian soil with his band the Commotions. Since going solo, it has always been a matter of economies of scale&#8230; Lloyd preferring the &#8216;less is more&#8217; approach \u2013 just a few acoustic guitars, a handy side table with a few bottles of water, a music stand and attitude. <\/p>\n\n\n\n<p>When visiting Melbourne over the years, and not out appreciating the finer points of one of our gorgeous golf courses, he has plugged away studiously in the evenings, playing all manner of small venues \u2013 Brunswick, Thornbury, Richmond, Oakleigh, Bentleigh \u2013 seemingly simultaneously amazed and exceedingly grateful, that his fanbase not only remember his work, but actively seek him out for an intimate evening of entertainment.<\/p>\n\n\n\n<p>This humility and diligence has certainly paid off \u2013 fans come along not really knowing what to expect \u2013 and leave, having been completely side-swiped by Cole&#8217;s dry wit, self deprecating delivery and masterfully intimate performance. This approach of underpromising and over delivering is certainly a refreshing change. <\/p>\n\n\n\n<p>The years of hard work, the slow and steady build, and an excellent new album in his back pocket have all contributed to what we see tonight \u2013 a close to sold out Hamer Hall&#8230; a huge counterpoint to previous tiny venues he&#8217;s played \u2013 like The Thornbury Theatre, the Caravan Club, The Flying Saucer Club&#8230;<\/p>\n\n\n\n<p>For those who haven&#8217;t been keeping tabs, Lloyd&#8217;s never been one to rest on his laurels and has been rather busy since his last visit down under \u2013 writing and producing one of his strongest albums to date. &#8216;Guesswork&#8217;  \u2013 a 8 track sojourn into wistful electronica that has been greeted with praise across the board by fans and critics alike.  Why the interest all of a sudden? Well, it&#8217;s a cracker of an album for a multitude of reasons \u2013 not the least of which is it marks a reunion of sorts with his old Commotions compadres, Blair Cowan and Neil Clark. <\/p>\n\n\n\n<p>If you haven&#8217;t heard it yet,  here&#8217;s Lloyd&#8217;s brief &#8216;7 minute Youtube sampler&#8217; which will bring you right up to speed\u2026<\/p>\n\n\n\n<figure class=\"wp-block-embed-youtube wp-block-embed is-type-video is-provider-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"Lloyd Cole &quot;Guesswork&quot; Official Pre-Listening - Album out now!\" width=\"640\" height=\"360\" src=\"https:\/\/www.youtube.com\/embed\/8kiEzFJo2wQ?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<p>A few years ago in the UK, there was a brief Commotions reunion but other than that, the rest of the world have just had to imagine the richness Neil Clark&#8217;s second guitar might bring to a performance.<\/p>\n\n\n\n<p>After tonight we needn&#8217;t wonder any more&#8230;<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"967\" src=\"https:\/\/greatgigs.com.au\/wp-content\/uploads\/2019\/12\/LC-Solo-1-1024x967.jpg\" alt=\"\" class=\"wp-image-1577\" srcset=\"https:\/\/greatgigs.com.au\/wp-content\/uploads\/2019\/12\/LC-Solo-1-1024x967.jpg 1024w, https:\/\/greatgigs.com.au\/wp-content\/uploads\/2019\/12\/LC-Solo-1-300x283.jpg 300w, https:\/\/greatgigs.com.au\/wp-content\/uploads\/2019\/12\/LC-Solo-1-768x725.jpg 768w, https:\/\/greatgigs.com.au\/wp-content\/uploads\/2019\/12\/LC-Solo-1.jpg 1209w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n\n\n\n<p>Ever Mr Punctual, Lloyd wanders on stage at 8.30 sharp and launches into <em>&#8216;Past Imperfect&#8217;<\/em>, a more recent tune which sets the tone perfectly for the journey he is about to take us on&#8230; with one foot planted firmly in the future while the other fondly retreads past sweetness&#8230;<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"1024\" src=\"https:\/\/greatgigs.com.au\/wp-content\/uploads\/2019\/12\/LC-Solo-2-1024x1024.jpg\" alt=\"\" class=\"wp-image-1578\" srcset=\"https:\/\/greatgigs.com.au\/wp-content\/uploads\/2019\/12\/LC-Solo-2-1024x1024.jpg 1024w, https:\/\/greatgigs.com.au\/wp-content\/uploads\/2019\/12\/LC-Solo-2-300x300.jpg 300w, https:\/\/greatgigs.com.au\/wp-content\/uploads\/2019\/12\/LC-Solo-2-150x150.jpg 150w, https:\/\/greatgigs.com.au\/wp-content\/uploads\/2019\/12\/LC-Solo-2-768x768.jpg 768w, https:\/\/greatgigs.com.au\/wp-content\/uploads\/2019\/12\/LC-Solo-2-90x90.jpg 90w, https:\/\/greatgigs.com.au\/wp-content\/uploads\/2019\/12\/LC-Solo-2.jpg 1069w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n\n\n\n<p>&#8220;<em>Excuse me, could I use your pen?<br>I have mislaid my own<br>Somewhere out here in space and time<br>Between this place and home<br>Maybe she lies on the subway platform<br>Forsaken and forlorn<br>All of this and more and that&#8217;s not all<br>I can&#8217;t recall<\/em>\u2026<br><br><em>What was on my mind in Amsterdam<br>In 1984?<br>And what did I want from the pouring rain<br>Was it phonographic score?<br>And why was my head in the unmade bed<br>With a girl who&#8217;s name I lost?<br>I can&#8217;t unwrite the tune<br>Or discount the cost<br>I can&#8217;t recall<\/em>&#8230;&#8221;<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"771\" src=\"https:\/\/greatgigs.com.au\/wp-content\/uploads\/2019\/12\/Screen-Shot-2019-12-14-at-11.35.20-am-1024x771.png\" alt=\"\" class=\"wp-image-1570\" srcset=\"https:\/\/greatgigs.com.au\/wp-content\/uploads\/2019\/12\/Screen-Shot-2019-12-14-at-11.35.20-am-1024x771.png 1024w, https:\/\/greatgigs.com.au\/wp-content\/uploads\/2019\/12\/Screen-Shot-2019-12-14-at-11.35.20-am-300x226.png 300w, https:\/\/greatgigs.com.au\/wp-content\/uploads\/2019\/12\/Screen-Shot-2019-12-14-at-11.35.20-am-768x578.png 768w, https:\/\/greatgigs.com.au\/wp-content\/uploads\/2019\/12\/Screen-Shot-2019-12-14-at-11.35.20-am-1536x1157.png 1536w, https:\/\/greatgigs.com.au\/wp-content\/uploads\/2019\/12\/Screen-Shot-2019-12-14-at-11.35.20-am-2048x1542.png 2048w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n\n\n\n<p>Two songs in and incredibly, there is still one single vacant seat in the front row&#8230;seems someone&#8217;s been held up in traffic&#8230; eventually out of the shadows a visibly relieved punter slinks into it &#8230; Lloyd spots him and remarks&#8230; <em>\u201cJust in time!&#8221;<\/em><\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"1024\" src=\"https:\/\/greatgigs.com.au\/wp-content\/uploads\/2019\/12\/LC-Solo-5-1024x1024.jpg\" alt=\"\" class=\"wp-image-1581\" srcset=\"https:\/\/greatgigs.com.au\/wp-content\/uploads\/2019\/12\/LC-Solo-5-1024x1024.jpg 1024w, https:\/\/greatgigs.com.au\/wp-content\/uploads\/2019\/12\/LC-Solo-5-300x300.jpg 300w, https:\/\/greatgigs.com.au\/wp-content\/uploads\/2019\/12\/LC-Solo-5-150x150.jpg 150w, https:\/\/greatgigs.com.au\/wp-content\/uploads\/2019\/12\/LC-Solo-5-768x768.jpg 768w, https:\/\/greatgigs.com.au\/wp-content\/uploads\/2019\/12\/LC-Solo-5-90x90.jpg 90w, https:\/\/greatgigs.com.au\/wp-content\/uploads\/2019\/12\/LC-Solo-5.jpg 1119w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n\n\n\n<p>Noting the silent audience, he turns his attention to them&#8230; <em>&#8220;Let\u2019s get one thing clear this evening \u2013 you\u2019re not getting any younger either.\u201d <\/em><\/p>\n\n\n\n<p>A few wistful strums and it&#8217;s straight into his 1983 classic <em>&#8216;Rattlesnakes&#8217;<\/em>&#8230;  <br>\u2013 &#8216;just in time&#8217; indeed.<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"1024\" src=\"https:\/\/greatgigs.com.au\/wp-content\/uploads\/2019\/12\/LC-Solo-4-1024x1024.jpg\" alt=\"\" class=\"wp-image-1579\" srcset=\"https:\/\/greatgigs.com.au\/wp-content\/uploads\/2019\/12\/LC-Solo-4-1024x1024.jpg 1024w, https:\/\/greatgigs.com.au\/wp-content\/uploads\/2019\/12\/LC-Solo-4-300x300.jpg 300w, https:\/\/greatgigs.com.au\/wp-content\/uploads\/2019\/12\/LC-Solo-4-150x150.jpg 150w, https:\/\/greatgigs.com.au\/wp-content\/uploads\/2019\/12\/LC-Solo-4-768x768.jpg 768w, https:\/\/greatgigs.com.au\/wp-content\/uploads\/2019\/12\/LC-Solo-4-90x90.jpg 90w, https:\/\/greatgigs.com.au\/wp-content\/uploads\/2019\/12\/LC-Solo-4.jpg 1113w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n\n\n\n<p>After <em>&#8216;Music In A Foreign Language&#8217;<\/em>, Lloyd lays down some ground rules for the evening&#8230;<br><br><em>\u201cTo contradict the lyric in that song, if you\u2019d like to sing along tonight, it\u2019s okay&#8230; I know I look stern&#8230;<\/em> <\/p>\n\n\n\n<p>(To the latecomers)<em> &#8220;Good evening\u2026 if you\u2019re just arriving at the show tonight, welcome\u2026 You\u2019ve only missed \u2018Rattlesnakes\u2019&#8230; If you don\u2019t yet follow me on Twitter, now might be a good time to make a mental note\u2026 I usually post what time I\u2019m on stage\u2026 &#8216;Rattlesnakes&#8217; is ALWAYS song three. (Laughter) I know there is a little perverse cruelty in that, but it\u2019s also generosity to the rest of you. (applause) <\/em><\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"1024\" src=\"https:\/\/greatgigs.com.au\/wp-content\/uploads\/2019\/12\/LC-Solo-6-1024x1024.jpg\" alt=\"\" class=\"wp-image-1582\" srcset=\"https:\/\/greatgigs.com.au\/wp-content\/uploads\/2019\/12\/LC-Solo-6-1024x1024.jpg 1024w, https:\/\/greatgigs.com.au\/wp-content\/uploads\/2019\/12\/LC-Solo-6-300x300.jpg 300w, https:\/\/greatgigs.com.au\/wp-content\/uploads\/2019\/12\/LC-Solo-6-150x150.jpg 150w, https:\/\/greatgigs.com.au\/wp-content\/uploads\/2019\/12\/LC-Solo-6-768x768.jpg 768w, https:\/\/greatgigs.com.au\/wp-content\/uploads\/2019\/12\/LC-Solo-6-90x90.jpg 90w, https:\/\/greatgigs.com.au\/wp-content\/uploads\/2019\/12\/LC-Solo-6.jpg 1059w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n\n\n\n<p><em>So, if you feel like singing along&#8230; it\u2019s okay. However, should you feel inclined to be the drummer for tonight\u2019s show, with some clapping along during songs\u2026 first of all, why would you do that in Hamer Hall? &#8230;It\u2019s not a rock club&#8230; secondly it\u2019s ALWAYS a nightmare &#8230;Imagine you&#8217;re a statistician or a bank clerk\u2026 Your job is to work with numbers\u2026 You\u2019re at work one day and someone comes up behind you and says \u201c1009!\u202671!\u2026 36!\u2026 8!\u2026&#8221; That\u2019s what it feels like&#8230;  and if you want to feel a little better about it there\u2019s physics involved. It takes a little bit of time for the sound to get from me to you&#8230; and then a little bit again to get back to me\u2026 So even if you\u2019re awesome \u2013 IT&#8217;S STILL SHIT. (laughter) \u2026Enjoy yourselves, control yourselves&#8230;\u201d<\/em><\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"788\" height=\"788\" src=\"https:\/\/greatgigs.com.au\/wp-content\/uploads\/2019\/12\/LC-Solo.png\" alt=\"\" class=\"wp-image-1576\" srcset=\"https:\/\/greatgigs.com.au\/wp-content\/uploads\/2019\/12\/LC-Solo.png 788w, https:\/\/greatgigs.com.au\/wp-content\/uploads\/2019\/12\/LC-Solo-300x300.png 300w, https:\/\/greatgigs.com.au\/wp-content\/uploads\/2019\/12\/LC-Solo-150x150.png 150w, https:\/\/greatgigs.com.au\/wp-content\/uploads\/2019\/12\/LC-Solo-768x768.png 768w, https:\/\/greatgigs.com.au\/wp-content\/uploads\/2019\/12\/LC-Solo-90x90.png 90w\" sizes=\"auto, (max-width: 788px) 100vw, 788px\" \/><\/figure>\n\n\n\n<p>Duly noted. The audience remain reverently quiet during the first set, apart from the odd <em>&#8216;Love you Lloyd<\/em>&#8216;&#8230; hanging on every lyric and little snippet of dry repartee. It&#8217;s actually the ultimate compliment to the artist.<\/p>\n\n\n\n<p>Lloyd follows up a jaunty <em>&#8216;My Bag&#8217;<\/em> with the first of two brand new <em>&#8216;Guesswork&#8217;<\/em> tracks&#8230; The first is <em>&#8216;The Afterlife&#8217;<\/em> which translates beautifully from its original synth format to acoustic guitar. <\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"1024\" src=\"https:\/\/greatgigs.com.au\/wp-content\/uploads\/2019\/12\/LC-Solo-7-1024x1024.jpg\" alt=\"\" class=\"wp-image-1583\" srcset=\"https:\/\/greatgigs.com.au\/wp-content\/uploads\/2019\/12\/LC-Solo-7-1024x1024.jpg 1024w, https:\/\/greatgigs.com.au\/wp-content\/uploads\/2019\/12\/LC-Solo-7-300x300.jpg 300w, https:\/\/greatgigs.com.au\/wp-content\/uploads\/2019\/12\/LC-Solo-7-150x150.jpg 150w, https:\/\/greatgigs.com.au\/wp-content\/uploads\/2019\/12\/LC-Solo-7-768x768.jpg 768w, https:\/\/greatgigs.com.au\/wp-content\/uploads\/2019\/12\/LC-Solo-7-90x90.jpg 90w, https:\/\/greatgigs.com.au\/wp-content\/uploads\/2019\/12\/LC-Solo-7.jpg 1123w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n\n\n\n<p>&#8220;<em>That was Track One, Side Two, of my relatively new album &#8216;Guesswork&#8217; (appreciative applause)  Thank you\u2026 If you haven\u2019t heard it, &#8230;it\u2019s fantastic.  I am \u2013 you would\u2019ve gathered by now \u2013 your opening act for tonight. After a short intermission \u2013 in a little while \u2013 I will return with an old friend and we will &#8216;headline&#8217;.  <\/em><\/p>\n\n\n\n<p><em>After headlining, barring injuries, breakdowns, what-have-you, I will wander out to the foyer where &#8216;Guesswork&#8217; is for sale \u2013 at a very competitive price (especially after Australian import duties)&nbsp;and, I will sign &#8216;anything&#8217;. I had thought \u2013 here in 2019 \u2013 we had reached that point, where I no longer needed to say I will sign anything &#8216;inanimate&#8217;\u2026 but there was a gentleman in Kilmonth&#8230;&#8221;<\/em><\/p>\n\n\n\n<p>The second track from <em>Guesswork<\/em> played tonight is the uncharacteristically sunny <em>&#8216;Moments and Whatnot&#8217;<\/em> \u2013 yet another standout track. Great that Lloyd is not playing it safe. It seems the decision to road test this new material is already paying dividends as toes unconsciously tap along nearby.<\/p>\n\n\n\n<p>After <em>&#8216;Baby&#8217;<\/em>, Lloyd recalls a situation where a &#8216;self appointed expert&#8217; on his music actually ruined a song for him&#8230;<\/p>\n\n\n\n<p><em>\u201cThank you. You all know me pretty well now I think&#8230; we\u2019ve been together for a long time. My songs are your songs really \u2013 however you choose to enjoy them\u2026 to understand them. And my opinions are not necessarily correct. Whoever you are, whatever your understanding might be&#8230; with perhaps just this <strong>single<\/strong> exception&#8230; A few years ago a gentleman illuminated me to, let\u2019s say an \u2018alternate\u2019, potentially controversial, understanding of one of the middle lines of the last song\u2026 the line being &#8216;aint your little man growing\u2026&#8217; (laughter)<\/em> <em>Now, I still sing this song for you because I think it\u2019s one you might enjoy\u2026 but for me it is ruined. It is debased&#8230; and this illuminated gentlemen, is dead to me.<\/em>&#8220;<\/p>\n\n\n\n<p>Lloyd closes out his solo &#8216;support slot&#8217; with another two classics, <em>&#8216;Vin Ordinaire&#8217;<\/em> and <em>&#8216;Late Night, Early Town&#8217;<\/em><\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"1024\" src=\"https:\/\/greatgigs.com.au\/wp-content\/uploads\/2019\/12\/LLoyd-Cole-First-Set-1024x1024.jpg\" alt=\"\" class=\"wp-image-1566\" srcset=\"https:\/\/greatgigs.com.au\/wp-content\/uploads\/2019\/12\/LLoyd-Cole-First-Set-1024x1024.jpg 1024w, https:\/\/greatgigs.com.au\/wp-content\/uploads\/2019\/12\/LLoyd-Cole-First-Set-300x300.jpg 300w, https:\/\/greatgigs.com.au\/wp-content\/uploads\/2019\/12\/LLoyd-Cole-First-Set-150x150.jpg 150w, https:\/\/greatgigs.com.au\/wp-content\/uploads\/2019\/12\/LLoyd-Cole-First-Set-768x768.jpg 768w, https:\/\/greatgigs.com.au\/wp-content\/uploads\/2019\/12\/LLoyd-Cole-First-Set-1536x1536.jpg 1536w, https:\/\/greatgigs.com.au\/wp-content\/uploads\/2019\/12\/LLoyd-Cole-First-Set.jpg 2048w, https:\/\/greatgigs.com.au\/wp-content\/uploads\/2019\/12\/LLoyd-Cole-First-Set-90x90.jpg 90w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><figcaption><em>Lloyd&#8217;s first half solo setlist<\/em><\/figcaption><\/figure>\n\n\n\n<p>After a brief 15 minute intermission and leg stretch, Lloyd and his erstwhile lead guitarist from the Commotions, <strong>Neil Clark<\/strong> return to the spotlight to \u2013 as Lloyd so aptly put it earlier \u2013 &#8216;Headline&#8217;&#8230; <\/p>\n\n\n\n<p>Kicking off proceedings with an elegantly picked <em>&#8216;Are You Ready To Be Heartbroken?&#8217;<\/em> it&#8217;s immediately apparent just what a huge and positive shift in dynamics this pairing constitutes. Neil never overplays his parts but suddenly the songs have a propulsive &#8216;attitude&#8217;&#8230; it&#8217;s quite a revelation&#8230; <em>&#8216;Woman&#8217;s Studies&#8217;<\/em> veritably chugs along with more dimension than I&#8217;ve ever heard it live before&#8230;<\/p>\n\n\n\n<p>The other aspect of having someone there on lead guitar \u2013 to fill in all the nuances \u2013 is it frees up Lloyd to really get into the rhythm and vocal delivery of each song&#8230; which by now is much more relaxed. <\/p>\n\n\n\n<p>Neil is a quiet achiever and doesn&#8217;t seem to react much to Lloyd&#8217;s repartee (perhaps because he&#8217;s heard most of it before) but drops his guard momentarily and gives Lloyd a smirk during <em>&#8216;Woman&#8217;s Studies&#8217;<\/em>&#8230; it&#8217;s all beginning to gel and there just isn&#8217;t a better feeling to be had.<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"1017\" src=\"https:\/\/greatgigs.com.au\/wp-content\/uploads\/2019\/12\/Neil-Clarke-1024x1017.jpg\" alt=\"\" class=\"wp-image-1588\" srcset=\"https:\/\/greatgigs.com.au\/wp-content\/uploads\/2019\/12\/Neil-Clarke-1024x1017.jpg 1024w, https:\/\/greatgigs.com.au\/wp-content\/uploads\/2019\/12\/Neil-Clarke-300x298.jpg 300w, https:\/\/greatgigs.com.au\/wp-content\/uploads\/2019\/12\/Neil-Clarke-150x150.jpg 150w, https:\/\/greatgigs.com.au\/wp-content\/uploads\/2019\/12\/Neil-Clarke-768x763.jpg 768w, https:\/\/greatgigs.com.au\/wp-content\/uploads\/2019\/12\/Neil-Clarke-1536x1525.jpg 1536w, https:\/\/greatgigs.com.au\/wp-content\/uploads\/2019\/12\/Neil-Clarke-90x90.jpg 90w, https:\/\/greatgigs.com.au\/wp-content\/uploads\/2019\/12\/Neil-Clarke.jpg 1956w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n\n\n\n<p>Next up is the duo&#8217;s first take on a Guesswork track&#8230; It&#8217;s the melancholic <em>&#8216;The Over Under&#8217;<\/em> and the sparse guitar interplay is an absolute joy.<br>The song&#8217;s lyrics are the perfect metaphor for this perfect pairing:<br><br><em>&#8220;Your guess, I guess<br>Is as good as mine<br>We could pool together<br>And be half right all of the time<br>My guess, I guess<br>It&#8217;s all, it&#8217;s all the same to me<br>I&#8217;ll just put this out there<br>If you might care to tag along<br>Now that I&#8217;m no longer chasing certainty<br>What&#8217;s the over, what&#8217;s the over under?&#8221;<\/em><\/p>\n\n\n\n<p>With just the slightest change in rhythm, the pair have effortlessly segued into <em>&#8216;Sentimental Fool&#8217;<\/em>&#8230;<br><br><em>&#8220;The more I learn the less I know<br>Could you make mine straight Absolut?<br>The more I fail the less I try<br>Ask not of me the reason why<br>Oh, my Sentimental Fool<br>Have I got a tale for you&#8221;<\/em><\/p>\n\n\n\n<p>Then, just when you begin to think it can&#8217;t get any more heavenly, they slide into <em>&#8216;Why I Love Country Music&#8217;<\/em>&#8230; there is a palpable intake of breath as the crowd recognise the chords&#8230; with barely a split second to rest, Lloyd is straight into <em>&#8216;Like A Broken Record&#8217;<\/em>. Gorgeous mini romantic Leonard Cohenisms coming flying thick and fast tonight, one after the other&#8230; this is a masterclass in emotive encapsulation. <\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"818\" src=\"https:\/\/greatgigs.com.au\/wp-content\/uploads\/2019\/12\/Duo-5-1-1024x818.jpg\" alt=\"\" class=\"wp-image-1587\" srcset=\"https:\/\/greatgigs.com.au\/wp-content\/uploads\/2019\/12\/Duo-5-1-1024x818.jpg 1024w, https:\/\/greatgigs.com.au\/wp-content\/uploads\/2019\/12\/Duo-5-1-300x240.jpg 300w, https:\/\/greatgigs.com.au\/wp-content\/uploads\/2019\/12\/Duo-5-1-768x613.jpg 768w, https:\/\/greatgigs.com.au\/wp-content\/uploads\/2019\/12\/Duo-5-1-1536x1227.jpg 1536w, https:\/\/greatgigs.com.au\/wp-content\/uploads\/2019\/12\/Duo-5-1-2048x1636.jpg 2048w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n\n\n\n<p>For the very first time in about a dozen solo performances I&#8217;ve caught of Lloyd&#8217;s, when he calls out <em>&#8216;Guitar Solo!<\/em>&#8216; in <em>&#8216;Broken Record&#8217;<\/em>  \u2013 this time, there actually is one!<\/p>\n\n\n\n<p>The loudest applause of the evening so far comes as the pair play <em>&#8216;Weeping Wine&#8217;<\/em>&#8230; the crowd are really enjoying the song selection&#8230; and it ain&#8217;t all hits by any stretch of the imagination&#8230;  Showing his true golfing colours, Lloyd dedicates <em>&#8216;Weeping Wine&#8217;<\/em> to Tiger Woods in commiseration after Patrick Reed was branded a cheat in the Golf. <\/p>\n\n\n\n<p><em>&#8220;I live in America so I&#8217;m not completely anti- American&#8230; I&#8217;m just against any team that has Patrick Reed in it&#8230;&#8221; <\/em><\/p>\n\n\n\n<p>Asking for a little crowd participation for <em>&#8216;Jennifer She Said&#8217;<\/em>, the crowd are up for a singalong. Neil&#8217;s gentle guitar lines really fill out the melody beautifully.<\/p>\n\n\n\n<p><em>&#8216;2CV&#8217;<\/em> taken from Rattlesnakes paves the way for one of Lloyd&#8217;s most poignant compositions of recent times&#8230; <em>&#8216;Period Piece&#8217;<\/em> is a song loosely about the Berlin Wall\u2026<\/p>\n\n\n\n<p>&#8220;<em>Oh Hansa, my lover<br>Where will your gaze fall now?<br>Combat Groups of the Working Classes<br>Wherefore will you crowd?<br>Western hedonists mourn my passing daily<br>These were the best of times<\/em><\/p>\n\n\n\n<p><em>Inanimate I know<br>I am and I will remain<br>Cinderblock souvenirs, sold with candy cane<br>Infiltrating the cabinets of the Western Union<br>With a promise of better times&#8221;<\/em><\/p>\n\n\n\n<p>Three more unsung Cole classics follow in the form of <em>&#8216;Woman In A Bar&#8217;<\/em>, <em>&#8216;Ice Cream Girl&#8217;<\/em> and <em>&#8216;Myrtle &amp; Rose&#8217;<\/em> before the pair tackle the two singles from <em>&#8216;Guesswork&#8217;<\/em>&#8230;<\/p>\n\n\n\n<p>&#8216;<em>Night Sweats&#8217;<\/em> with its fantastic lyric:<br><br> <em>&#8220;So I&#8217;m a complicated motherfucker, you knew that<br>Before you added to the complication<br>Hacked my meditation<br>Yours &#8217;til the end of time&#8221;<\/em><br><em> <\/em><br>works its magic and certainly gets everyone&#8217;s attention. Lloyd sings it with a world weariness and it instantly becomes the performance of the night so far&#8230;<\/p>\n\n\n\n<p>Lloyd invites us to sing the counter melody of <em>&#8216;Violins<\/em>&#8216; but as it&#8217;s so new, it might just be a bridge too far tonight&#8230;<\/p>\n\n\n\n<p>The pair finish up the main set with Mainstream&#8217;s <em>&#8216;Hey Rusty&#8217;<\/em> which Lloyd always finishes with a nod to Bruce Springsteen&#8217;s &#8216;Born to Run&#8217; followed by Rattlesnakes <em>&#8216;Perfect Skin&#8217;<\/em> and Easy Pieces <em>&#8216;Lost Weekend&#8217;<\/em> both of which receives the loudest roar of the evening&#8230;<\/p>\n\n\n\n<p>They both wave and bid us &#8216;thanks and goodnight&#8217;&#8230; but we&#8217;re not fooled&#8230; no-one is moving an inch&#8230; <\/p>\n\n\n\n<p>Sensing there just has to be more to come, we sit tight and bellow for the the pair to re-emerge, which they eventually do, rewarding us with<em> &#8216;No Blue Skies&#8217;<\/em> (on which Neil Clark plays some of the most menacing backing lines ever) and an emotionally wrung-out version of <em>&#8216;Forest Fire&#8217;<\/em>&#8230;<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"1024\" src=\"https:\/\/greatgigs.com.au\/wp-content\/uploads\/2019\/12\/LLoyd-Cole-Second-Set-copy-1-1024x1024.jpg\" alt=\"\" class=\"wp-image-1568\" srcset=\"https:\/\/greatgigs.com.au\/wp-content\/uploads\/2019\/12\/LLoyd-Cole-Second-Set-copy-1-1024x1024.jpg 1024w, https:\/\/greatgigs.com.au\/wp-content\/uploads\/2019\/12\/LLoyd-Cole-Second-Set-copy-1-300x300.jpg 300w, https:\/\/greatgigs.com.au\/wp-content\/uploads\/2019\/12\/LLoyd-Cole-Second-Set-copy-1-150x150.jpg 150w, https:\/\/greatgigs.com.au\/wp-content\/uploads\/2019\/12\/LLoyd-Cole-Second-Set-copy-1-768x768.jpg 768w, https:\/\/greatgigs.com.au\/wp-content\/uploads\/2019\/12\/LLoyd-Cole-Second-Set-copy-1-1536x1536.jpg 1536w, https:\/\/greatgigs.com.au\/wp-content\/uploads\/2019\/12\/LLoyd-Cole-Second-Set-copy-1.jpg 2048w, https:\/\/greatgigs.com.au\/wp-content\/uploads\/2019\/12\/LLoyd-Cole-Second-Set-copy-1-90x90.jpg 90w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><figcaption><em>Lloyd&#8217;s second half setlist<\/em>, <br><em>where he was joined by Commotions&#8217; guitarist Neil Clark<\/em><\/figcaption><\/figure>\n\n\n\n<p>As far as Lloyd Cole shows go, they&#8217;ve all been amazing over the years, but this time he&#8217;s got the balance just right&#8230; this has been far and away the best to date&#8230; <\/p>\n\n\n\n<p>News of just how fantastic these shows have been is spreading quickly on the socials and the &#8216;Rattlesnakes to Guesswork&#8217; shows are now starting to sell out on the Australian leg. If you get a chance to catch this dynamic duo this time around, be smart, be quick and grab it with both hands&#8230; or be ready to be heartbroken&#8230; <br><br>***** STARS<\/p>\n\n\n\n<figure class=\"wp-block-embed-youtube wp-block-embed is-type-video is-provider-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"Lloyd Cole &amp; Neil Clarke @ Hamer Hall 2\" width=\"640\" height=\"360\" src=\"https:\/\/www.youtube.com\/embed\/MpngGaqcaCc?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<figure class=\"wp-block-embed-soundcloud wp-block-embed is-type-rich is-provider-soundcloud wp-embed-aspect-4-3 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"Lloyd Cole @ Hamer Hall 11 December 2019 by redsails120\" width=\"640\" height=\"400\" scrolling=\"no\" frameborder=\"no\" src=\"https:\/\/w.soundcloud.com\/player\/?visual=true&#038;url=https%3A%2F%2Fapi.soundcloud.com%2Ftracks%2F726500236&#038;show_artwork=true&#038;maxheight=960&#038;maxwidth=640&#038;secret_token=s-1gpLh\"><\/iframe>\n<\/div><\/figure>\n","protected":false},"excerpt":{"rendered":"<p>11 December 2019 It&#8217;s been a whopping 33 years (1986) since Lloyd Cole first set foot on Australian soil with his band the Commotions. Since going solo, it has always been a matter of economies of scale&#8230; Lloyd preferring the &#8216;less is more&#8217; approach \u2013 just a few acoustic guitars, a handy side table with [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":1558,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[],"class_list":["post-1548","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-uncategorized"],"_links":{"self":[{"href":"https:\/\/greatgigs.com.au\/index.php\/wp-json\/wp\/v2\/posts\/1548","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/greatgigs.com.au\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/greatgigs.com.au\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/greatgigs.com.au\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/greatgigs.com.au\/index.php\/wp-json\/wp\/v2\/comments?post=1548"}],"version-history":[{"count":25,"href":"https:\/\/greatgigs.com.au\/index.php\/wp-json\/wp\/v2\/posts\/1548\/revisions"}],"predecessor-version":[{"id":1755,"href":"https:\/\/greatgigs.com.au\/index.php\/wp-json\/wp\/v2\/posts\/1548\/revisions\/1755"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/greatgigs.com.au\/index.php\/wp-json\/wp\/v2\/media\/1558"}],"wp:attachment":[{"href":"https:\/\/greatgigs.com.au\/index.php\/wp-json\/wp\/v2\/media?parent=1548"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/greatgigs.com.au\/index.php\/wp-json\/wp\/v2\/categories?post=1548"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/greatgigs.com.au\/index.php\/wp-json\/wp\/v2\/tags?post=1548"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}