{"id":269,"date":"2015-07-28T03:46:09","date_gmt":"2015-07-27T17:46:09","guid":{"rendered":"http:\/\/greatgigs.com.au\/?p=269"},"modified":"2019-05-09T22:09:49","modified_gmt":"2019-05-09T12:09:49","slug":"blur-rod-laver-arena","status":"publish","type":"post","link":"https:\/\/greatgigs.com.au\/index.php\/2015\/07\/28\/blur-rod-laver-arena\/","title":{"rendered":"Blur &#038; Jamie T"},"content":{"rendered":"\n<figure class=\"wp-block-image\"><a href=\"http:\/\/thedwarf.com.au\/img\/blur.jpg\"><img loading=\"lazy\" decoding=\"async\" width=\"999\" height=\"625\" src=\"https:\/\/greatgigs.com.au\/wp-content\/uploads\/2018\/12\/blur.jpg\" alt=\"\" class=\"wp-image-270\" srcset=\"https:\/\/greatgigs.com.au\/wp-content\/uploads\/2018\/12\/blur.jpg 999w, https:\/\/greatgigs.com.au\/wp-content\/uploads\/2018\/12\/blur-300x188.jpg 300w, https:\/\/greatgigs.com.au\/wp-content\/uploads\/2018\/12\/blur-768x480.jpg 768w\" sizes=\"auto, (max-width: 999px) 100vw, 999px\" \/><\/a><\/figure>\n\n\n\n<p>For&nbsp;<strong>Blur<\/strong>&nbsp;fans, it\u2019s been an interminable wait \u2013 more than 18 long years \u2013 since everyone\u2019s favourite Britpopper\u2019s last played Melbourne. It was by all accounts, a modest affair in 1997 at Monash University, which apparently wasn\u2019t even sold out. It\u2019s fair to say there\u2019s a HUGE contingent of music fans here tonight at Rod Laver Arena who are well and truly hankering for a large, fresh serve of Magic Whip!<br><br>One senses that the band are very much aware of this hunger. A quick glance at the recent setlists from Sydney and Splendour In The Grass in Byron Bay paint a very clear picture that these Australian BLUR gigs are all about celebrating their complete body of work. The boys have gone back with an appraising eye and polished up nuggets from their past that have withstood the critical ravages of time. These crowd pleasers have been lovingly interspersed with choice cuts from the new album \u2018The Magic Whip\u2019.<br><\/p>\n\n\n\n<figure class=\"wp-block-image is-resized\"><a href=\"http:\/\/thedwarf.com.au\/img\/20150730-1540-0-blur.jpg\"><img loading=\"lazy\" decoding=\"async\" src=\"http:\/\/thedwarf.com.au\/img\/resized\/20150730-1540-0-blur.jpg\" alt=\"Blur\" width=\"583\" height=\"874\"\/><\/a><\/figure>\n\n\n\n<p>Tonight Blur have elected that Wimbledonian&nbsp;<strong>Jamie T<\/strong>&nbsp;will fill the support slot. It&#8217;s well documented Damon Albarn has been a friend and mentor for Jamie, with Damon volunteering his studio &#8216;anytime he needed it\u2019 for Jamie T to record \u2018Kings &amp; Queens\u2019 during a difficult time as he convalesced his parent through sickness.<br><br>After seeing his \u2018lightning in a bottle\u2019 set earlier this year at the Forum where there was multiple crowdsurfing from the first song, I am dead keen to get there early and see what he has in store for us tonight.<\/p>\n\n\n\n<p>He appears bang on time with his band the Pacemakers and strangely, it\u2019s a quieter set. Largely taken from his latest album \u2018Carry On The Grudge\u2019 with only one track each from the stellar &#8216;Kings &amp; Queens\u2019 and \u2018Panic Prevention\u2019. He explains they just played a frantic gig at Splendour In The Grass where they \u2018frightened the shit out of the crowd&#8217;, so tonight they have chosen to play a slower, quieter set. Rod Laver Arena is a hard place to play a support slot at the best of times, and the choice to concentrate on slower, quieter numbers probably contributes to the subdued reaction from the audience on the floor, who at this early stage are still only just trickling in.<br>It\u2019s not until the last few more rockier numbers that we start to see some moshing down the front. \u2018If You Got The Money\u2019 and \u2018Zombie\u2019 are very well received with the crowd recognising the tracks and singing along in the choruses. Jamie is very appreciative and thanks Blur for the opportunity to play as opener saying he\u2019s been a fan since he was knee high.<\/p>\n\n\n\n<figure class=\"wp-block-embed-youtube wp-block-embed is-type-video is-provider-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"Zombie\" width=\"640\" height=\"360\" src=\"https:\/\/www.youtube.com\/embed\/BsrbzxYg5Fk?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<p><strong>Jamie T\u2019s set list:<\/strong><br><em>Limits Lie<br>Don&#8217;t You Find<br>Turn On The Light<br>Murder of Crows<br>Love Is Only A Heartbeat Away<br>368<br>Rabbit Hole<br>They Told Me It Rained<br>If You Got the Money<br>Zombie<\/em><br><\/p>\n\n\n\n<figure class=\"wp-block-image is-resized\"><a href=\"http:\/\/thedwarf.com.au\/img\/20150730-1541-0-blur.jpg\"><img loading=\"lazy\" decoding=\"async\" src=\"http:\/\/thedwarf.com.au\/img\/resized\/20150730-1541-0-blur.jpg\" alt=\"Blur\" width=\"583\" height=\"389\"\/><\/a><\/figure>\n\n\n\n<p>There is a short break and patrons head back out on mass to check out the merchandise. The merchandise stands just inside the venue groan under the immense range of cleverly designed Blur &#8216;Magic Whip&#8217; variants \u2013 t-shirts, badges, comic books, hats, mirrors, etc. Punters know quality design when they see it and the trade is brisk. I also note the Arena bar have got creative and are also in on the act, offering illuminated Magic Whip style drinks \u2013 plenty make their way down to the floor area \u2013 under the wistful gaze of the unfortunate few who opted for water.<br>The standing area is slow to fill but eventually is at capacity when the lights finally go down. Out of the darkness, we hear the childhood chimes of the neighbourhood Ice Cream Van ring out \u2013 signalling it\u2019s finally time to Whip it&#8230; We even hear \u2018Teddy Bear\u2019s Picnic\u2019 which brings a chuckle from those who recognise it.<br><\/p>\n\n\n\n<figure class=\"wp-block-image is-resized\"><a href=\"http:\/\/thedwarf.com.au\/img\/20150730-1549-0-blur.jpg\"><img loading=\"lazy\" decoding=\"async\" src=\"http:\/\/thedwarf.com.au\/img\/resized\/20150730-1549-0-blur.jpg\" alt=\"Blur\" width=\"581\" height=\"388\"\/><\/a><\/figure>\n\n\n\n<p>As the fabulous foursome \u2013 singer\/guitarist\/keyboardist&nbsp;<strong>Damon Albarn<\/strong>, guitarist\/singer&nbsp;<strong>Graham Coxon<\/strong>, bassist&nbsp;<strong>Alex James<\/strong>&nbsp;and drummer&nbsp;<strong>Dave Rowntree<\/strong>&nbsp;appear at the top of the stairs and are spotted by the crowd. The place goes mental\u2026 the buzz is palpable.<br>Only a moments pause as they quickly wave to the crowd and then gear up \u2013 the preshow tension is finally shattered by a squalling Coxon who is then joined by a warm crunchy backbeat from Alex and Dave. It\u2019s the lead single \u2018Go Out\u2019 &#8230; Damon paces the stage lip, like an angsty teenager looking for trouble, all the time clapping his band on. Struggling to get the response he is looking for, he heads straight to the drum riser, grabs a bottle of water which he proceeds to empty over the first few rows. Photographers in the pit, duck for cover. Heads bob along in recognition and we are off to a good start.<br><\/p>\n\n\n\n<figure class=\"wp-block-image is-resized\"><a href=\"http:\/\/thedwarf.com.au\/img\/20150730-1552-0-blur.gif\"><img loading=\"lazy\" decoding=\"async\" src=\"http:\/\/thedwarf.com.au\/img\/resized\/20150730-1552-0-blur.gif\" alt=\"Blur\" width=\"582\" height=\"476\"\/><\/a><\/figure>\n\n\n\n<p>\u201cHow are you all?\u201d Damon asks&#8230; as we crank into the distinctive opening riff of \u2018There\u2019s No Other Way\u2019 from 1991\u2019s Leisure&#8230; He gestures to the audience for more and dutifully delivers another bottle of water, \u2013 this time in long arcs over the now writhing mosh pit. Coxon is well and truly in the house and the response of recognition to his riffs from the audience is massive. As Blur\u2019s noise maestro, he is an essential piece of the Blur puzzle and regales us with the hallmark sonics that make these songs so indelibly Blurrish.<br>People around me on the lower levels jump to their feet in excitement and soon others seated further back have no choice but to join them. To their credit, the staff at Rod Laver Arena are understanding and do not pounce.<br>A siren wail announces \u2018Lonesome Street\u2019 and we are once more into new \u2018Whip territory.\u2019 More water. The front floor manager has his work cut out as he mops down audio leads in front of the foldback speakers. Coxon shares vocal duties on this one while Albarn coaches the audience on where to sing the Woo-ooo-woos. Towards the end of the track they are finally warming up and getting the hang of it.<\/p>\n\n\n\n<figure class=\"wp-block-embed-youtube wp-block-embed is-type-video is-provider-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"Blur Rod Laver Arena Lonesome Street\" width=\"640\" height=\"360\" src=\"https:\/\/www.youtube.com\/embed\/f63tAWOr-K8?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<p>It\u2019s a revelation to hear the new material performed in a live setting, all \u2018pumped up and attitudinal\u2019 \u2013 the core four-piece are suitably augmented tonight by a three piece brass section, a keyboardist and four backing singers. The new songs are infinitely quirky in their instrumentation and Damon\u2019s lyrics ride the punky attitude effortlessly. New material performed live for an audience is always a gamble, but when it\u2019s a band with the self conviction of Blur, in next to no time, heads on the floor are swaying \u2013 which tell the band all they need to know. The Melbourne crowd are receptive and are digging the new stuff.<br>Ever the charmer, Albarn is on point tonight:<br>\u201cYeah!&#8230; Melbourne\u2019s always alright, innit? Kinda&#8230; slightly more \u2018tuned in\u2019&#8230; not sayin\u2019 that everywhere else in Australia isn\u2019t tuned in, but just that it\u2019s slightly \u2018more\u2019 tuned in&#8230; isn\u2019t that right? Yeah!\u201d<br>The Brass section introduces the next track. I soon recognise it as the warm comfy old shoe, \u2018Badhead\u2019 from 1994\u2019s Parklife. We\u2019re all smiling on the inside. We\u2019re not just getting the hits tonight but some little heard gems as well.<br>As any music lover knows, the true beauty of lyrics is their ability to resonate on many levels. To some, Damon\u2019s are simply quirky and laddish, while to others, they can really get under the skin and effect on a deeply personal level and this is the vibe I get from this track. The sentiment and personability of this one is deep and I\u2019m interested to see if others are feeling it. I look around and see eyes closed heads back and groups of lads fairly bellowing out the song\u2019s heartfelt chorus.<br>\u201cAnd I might as well GRIN and BEAR IT&#8230;because it\u2019s not worth the trouble of an argument&#8230;\u201d<br>As the song crescendoes, Damon impulsively steps down from the stage and into the audience. Loving arms instinctively reach up and support him as he stands alone, all floppy necked and resigned. It\u2019s a warm family celebration type of vibe now as he introduces the next track, \u2018Ghost Ship\u2019. It\u2019s a laid-back almost calypso vibe and Coxon\u2019s guitar lines are soft and sunny.<br>A very boyish \u201cHi!\u2019 from Graham in the next break as he launches into the vocals for \u2018Coffee and TV\u201d. While Coxon concentrates on both vocal and guitar duties, Damon \u2013 spotting Alex down near the stage edge, steps up behind him and leans back to back against the bass player&#8230; as he pushes more and more heavily, he threatens to push Alex into the crowd. It all a bit of fun and reflects just what a buzz these guys are having playing all together again. Towards the end, the audience drowns out the band\u2019s vocals with their repeated refrain of \u201cWe can start over again\u201d.<br>\u201cQuite melodious&#8230; aren\u2019t we?\u201d, Damon quips.<\/p>\n\n\n\n<figure class=\"wp-block-embed-youtube wp-block-embed is-type-video is-provider-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"Coffee + TV\" width=\"640\" height=\"360\" src=\"https:\/\/www.youtube.com\/embed\/l1jUHYvl_CI?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<p>It\u2019s now time for \u2018Out of Time\u2019 from 2003\u2019s much maligned \u2018Think Tank\u2019. Tonight\u2019s it\u2019s got a great vibe and Damon, still with the acoustic, takes the lead solo, plucking out a lovely few bars. At the song\u2019s close, Damon takes a few moments to reflect.<br><em>\u201cAs I do, I was casually looking at all these lovely faces&#8230; and I was looking at this guy here &#8230;and then I looked at his arm&#8230;. and I was like&#8230; hang on&#8230; what\u2019s he got tattooed on his arm?.. That\u2019s like&#8230; is this a work in progress or is this &#8230;Is this all you\u2019re gonna have done or are you gonna have more? Aaa? I think you should introduce yourself \u2018coz THAT\u2019s a very unique arm you\u2019ve got\u201d<br>\u201cThank you Damon, I\u2019m Adam, &#8230;without you guys, my life would be completely different &#8230;so THANK YOU!\u201d<\/em><br>Damon visibly blushes. <em>\u201cNo&#8230;Thank YOU!\u201d and as he returns to the stage, \u201c&#8230;well, this song\u2019s for you&#8230; Adam.\u201d<\/em><br>The band launch into the raspy intro of 1997\u2019s \u2018Beetlebum\u2019 from their self-titled album \u2018Blur\u2019. It\u2019s crowd singalong time and Coxon gives it his all at the the end as the song concludes with it\u2019s ever tightening upward spiral feedback crescendo.<\/p>\n\n\n\n<figure class=\"wp-block-embed-youtube wp-block-embed is-type-video is-provider-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"Out of Time \/ Beetlebum\" width=\"640\" height=\"360\" src=\"https:\/\/www.youtube.com\/embed\/M0VQraaXxIg?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<p>Time for a tempo change and the floating spacey intro to \u2018Thought I Was A Spaceman\u2019 begins. The shiny centres of the three giant Chinese Mirrors suddenly transform into massive mirrorballs and the Arena is bathed in stars. The lazy soothing synth lines on this very Bowiesque track are completely entrancing and Damon spends most of the latter part of the song flat on his back resting on the stage looking up at the whirling stars, as Graham sings his lead part.<\/p>\n\n\n\n<figure class=\"wp-block-embed-youtube wp-block-embed is-type-video is-provider-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"Thought I was a Spaceman\" width=\"640\" height=\"360\" src=\"https:\/\/www.youtube.com\/embed\/9iiLPFwyVeg?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<p>\u2018Trimm Trabb\u2019, another album track from &#8217;13&#8217; is next and it\u2019s an opportunity for the laddish Albarn to disappear into the audience on a rather long mic lead. He travels halfway along the length of the arena on the left hand side with his stage manager and security team frantically trying to fend off over-zealous fans and at the same time feed out enough mic lead to make the journey. It is terribly chaotic and they have their hands full but at the same time, it\u2019s a heart-warming moment. Damon howls like a banshee at one point in the song. The punters love it and it\u2019s a sea of handshakes and head rubs. Back safely on stage again now and it\u2019s the poor drummer\u2019s turn to cop it as Damon playfully throws towels \u2013 and yes, you guessed it, water over him. Dave smiles and carries on unfazed, obviously he\u2019s seen it all before. At the end, Damon applauds his performance.<br><em>\u201cNot bad for an old cunt is he? Haha&#8230;! Excuse my vernacular&#8230; you know,&#8230;I\u2019m sure a lot of you are descendants of that vulgarity&#8230; in one way or another&#8230; this next one\u2019s a very quiet song\u201d<\/em><br>The gorgeous \u201cMy Terracotta Heart\u201d is next. It\u2019s a seldom heard track and I doubt anyone would have picked we\u2019d hear it tonight. It\u2019s played out with Damon strumming acoustic on the drum riser. He temporarily forgets the words and has a laugh. It\u2019s a lilting plaintive song:<br><em>\u201cI\u2019m running out of heartacheJust sitting out the constant doubt in my dayBut I don\u2019t know what it isI\u2019m sweating out the toxinsIs my terracotta heart breaking? I don\u2019t knowIf I\u2019m losing youIf I\u2019m losing you again\u201d<\/em><br>The band is certainly in a playful relaxed mood and reflecting on the messed up lyrics, Damon quips in the break, <em>\u201cYou know&#8230; we could spend the rest of the gig doing&#8230; sort of&#8230; requests&#8230; on songs we hadn\u2019t rehearsed&#8230; be kinda different, as long as you didn\u2019t mind us having to go through things a few times&#8230;. and maybe I\u2019d need to get a few lyric sheets to get a few chords and stuff&#8230;?\u201d<\/em><br>Coxon stymies that marvellous and novel idea by playing &#8216;Tender&#8217;, the rousing intro to 1999\u2019s \u201813\u2019.<br>The audience immediately reverts to full gusto singalong mode:<em>\u201cC\u2019mon C\u2019mon, C\u2019mon&#8230; love\u2019s the greatest thing&#8230;\u201d<\/em><br><\/p>\n\n\n\n<figure class=\"wp-block-image is-resized\"><a href=\"http:\/\/thedwarf.com.au\/img\/20150730-1554-0-blur.jpg\"><img loading=\"lazy\" decoding=\"async\" src=\"http:\/\/thedwarf.com.au\/img\/resized\/20150730-1554-0-blur.jpg\" alt=\"Blur\" width=\"580\" height=\"869\"\/><\/a><\/figure>\n\n\n\n<p>It\u2019s another warm moment with smiles all around. As Graham sings his part, Damon playfully kneels at the foot of Graham\u2019s mike stand looking back up at him. Doing anything to make him smile and lose composure. Clearly still very much a kid at heart. The song gets one of the heartiest applauses for the night so far.<br><em>\u201cThis is one of our pre-internet songs\u2026\u201d<\/em><br>More water. The frantic intro to 1994\u2019s \u2018Trouble In The Message Center\u2019 from \u2018Parklife\u2019 ensues and it\u2019s yet again another excuse to drench the audience in water and then disappear into the crowd. This time down the other side of the arena. More cable leads, security and smiles&#8230;<br>Where do you go after the franticness of that song? Time for a little audience participation methinks&#8230;<br><em>\u201cThank you! &#8230;this is turning out to be such a sort of \u2018family affair\u2019 it feels to me&#8230; but it would be really nice to get a few of you onstage for this song&#8230; (looks at stage manager) Two???? Oh, that\u2019s very mean of you Smoggy&#8230; I think YOU need to come up HERE and say that&#8230; \u201cTwo people???\u201d when there\u2019s &#8216;so many people&#8217;&#8230; Well, I think those two down the front definitely&#8230; and the man with the \u2018work in progress\u2019.. I dunno&#8230; about another 15 people&#8230;.\u201d (Huge cheers)<\/em><br>Two very young kids wearing Blur t-shirts and Adam, the tattooed man from earlier and his partner get up. Damon encourages the youngest boy to empty another water bottle over the front row which understandably elicits huge cheers.<br>As the intro to \u2018Parklife\u2019 begins, the kids are ecstatic, pogoing around. The four visitors all chime in on the \u2018PARK-LIFE\u2019 refrain whenever Damon swings his microphone back to them. It\u2019s a life memory they\u2019ll bottle forever and a story they\u2019ll dine out on for years. Just as the song nears the end, a stray from the audience manages to slip past the cordon line and races on from stage right, catching security sleeping. He momentarily greets Alex on his way through to join the visiting foursome, stands and finishes off the chorus with them and then just as the song finishes and the security are about to swoop, leaps clear off the edge of stage left and disappears into the darkness before security can nab him&#8230; another \u2018did I just see what I thought I saw?\u2019 moment.<\/p>\n\n\n\n<figure class=\"wp-block-embed-youtube wp-block-embed is-type-video is-provider-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"Parklife\" width=\"640\" height=\"360\" src=\"https:\/\/www.youtube.com\/embed\/5bidyrzv22o?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<p>The \u2018La la la la\u2019 chorus of \u2018OngOng\u2019 follows and is a joyful singalong but that is nothing compared to the incendiary performance that is next.<br>Coxon winds up on his guitar and after Damon discharges another couple of water bottles, the band plunge us headlong into the frenzied two minutes and 15 seconds that is \u2018Song 2\u2019&#8230; the audience on the floor is just one heaving giant pumping mattress of a moshpit. Fists raised for every <em>\u2018WOOO&#8230;HOOOOOOOOOO!\u2019<\/em> I glance around the arena and this excitement is echoed in every corner. Regardless of what anyone might tell you \u2013 in live performance, this is Blur at their absolute best and even after decades of performance, this little throwaway ditty has lost none of it\u2019s punch. A stellar moment!<\/p>\n\n\n\n<figure class=\"wp-block-embed-youtube wp-block-embed is-type-video is-provider-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"Song 2\" width=\"640\" height=\"360\" src=\"https:\/\/www.youtube.com\/embed\/z15szsRHbG0?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<p>After the mosh workout, the band play us down an emotional plateau or two with \u2018Pyongyang\u2019 off \u2018Magic Whip&#8217; (\u201ca song about probably the maddest country in the world\u201d). This is followed by the joyous \u2018To the End\u2019. It\u2019s certainly a crowd favourite and I confess, I can barely hear Damon over the crowd singing the \u201cWell, it looks like we might have MADE IT&#8230; TO THE END\u201d &#8230; more mirrorball magic and boisterous cheers from the 12,000 strong \u2018Rod Laver Arena Choir\u2019 as Damon beckons for a response from us all.<br>\u2018This Is A Low&#8217; rounds out the set proper and Albarn sings his absolute lungs out. I wonder if he has anything left in the tank as he bends over double at the song\u2019s end. Coxon records a feedback loop which he leaves playing discordantly out over the PA during the encore break.<br>The roadies are feverously resetting the stage for a few minutes in the blue half-light and then before we know it, the boys are back and hammering out a great version of \u2018Stereotypes\u2019 from 1995\u2019s &#8216;The Great Escape&#8217;. A superb comedic moment when Damon ventures over to the stage left wing seating area. After all of Albarn\u2019s fun drenching the crowd, some cheeky audience member gets their own back by emptying their water bottle all over him. Perfect shot. He shoots back a cheeky smile. The comedy doesn&#8217;t stop there though. Graham Coxon faultlessly performs a full Ninja backwards roll while continuing to play a guitar break \u2013 how he managed that without suffering any collateral damage I\u2019ll never know.<br>We\u2019re on the home stretch now and it\u2019s &#8216;Girls and Boys&#8217; from 1994\u2019s \u2018Parklife\u2019. Damon chides the audience until they sing the \u2018Aah, Aah, Aah Aah, Aah, ah\u2019 refrain just the way it should be sung. He is pogoing around the stage and clowning around now. He finishes the song off by headbutting the microphone and regrets the gesture immediately \u2013 rubbing his forehead vigorously during the next song.<\/p>\n\n\n\n<figure class=\"wp-block-embed-youtube wp-block-embed is-type-video is-provider-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"Stereotypes Girls&amp;Boys\" width=\"640\" height=\"360\" src=\"https:\/\/www.youtube.com\/embed\/WKPMTCgPYc4?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<p>\u2018For Tomorrow\u2019 from 93\u2019s \u2018Modern Life is Rubbish\u2019 is a welcome addition to the setlist and is another song that is gleefully sung back to the band at an even greater volume. Coxon\u2019s guitar breaks are note-perfect and it sounds magic.<br>It\u2019s now time to bring the set to a close, and it\u2019s no surprise the boys choose to end such a fabulous night with one of their most beautiful songs&#8230; It\u2019s the uplifting and quite stirring \u2018The Universal\u2019.A gorgeous set of horn solos from the brass section take us up and right on home&#8230;<br><br><em>\u201cNo one here is alone, satellites in every home<br>Yes the universal\u2019s here, here for everyone<br>Every paper that you read<br>Says tomorrow is your lucky day<br>Well, here\u2019s your lucky day<br>It really, really, really could happen<br>Yes, it really, really, really could happen<br>When the days they seem to fall through you,<br>well just let them go&#8230;. <\/em><br><br><em>MELBOURNE\u2026 YOU&#8217;RE BEAUTIFULLLLLLLL!<\/em><\/p>\n\n\n\n<figure class=\"wp-block-embed-youtube wp-block-embed is-type-video is-provider-youtube wp-embed-aspect-4-3 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"Blur - The Universal finale\" width=\"640\" height=\"480\" src=\"https:\/\/www.youtube.com\/embed\/SsJsqo6UHiw?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<p>On reflection, the whole premise of tonight is quite amazing\u2026 Blur \u2013 all happily back together again \u2013 and playing brilliantly \u2013 in good old Melbourne after a break of 18 years \u2013 would they be able to recapture the heady days and would the Whip be indeed Magic?<br>All I can say is &#8220;Yes, it really really really DID happen\u201d<br><\/p>\n\n\n\n<figure class=\"wp-block-image is-resized\"><a href=\"http:\/\/thedwarf.com.au\/img\/20150730-1517-0-blur.jpg\"><img loading=\"lazy\" decoding=\"async\" src=\"http:\/\/thedwarf.com.au\/img\/resized\/20150730-1517-0-blur.jpg\" alt=\"Blur\" width=\"581\" height=\"436\"\/><\/a><\/figure>\n\n\n\n<p><strong>Blur&#8217;s Melbourne set list<\/strong><br><em>Go Out<br>There\u2019s No Other Way<br>Lonesome Street<br>Badhead<br>Ghost Ship<br>Coffee + TV<br>Out Of Time<br>Beetlebum<br>Thought I Was A Spaceman<br>Trimm Trabb<br>Tender<br>Trouble In The Message Centre<br>Parklife<br>Ong Ong<br>Song 2<br>Pyongyang<br>To The End<br>This Is A Low<br><strong>ENCORE<\/strong><br>Stereotypes<br>Girls &amp; Boys<br>For Tomorrow<br>The Universal<\/em><\/p>\n\n\n\n<figure class=\"wp-block-embed-soundcloud wp-block-embed is-type-rich is-provider-soundcloud wp-embed-aspect-4-3 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"BTMW @ RLA 07 28 2015 by redsails14\" width=\"640\" height=\"400\" scrolling=\"no\" frameborder=\"no\" src=\"https:\/\/w.soundcloud.com\/player\/?visual=true&#038;url=https%3A%2F%2Fapi.soundcloud.com%2Ftracks%2F263492977&#038;show_artwork=true&#038;maxheight=960&#038;maxwidth=640\"><\/iframe>\n<\/div><\/figure>\n","protected":false},"excerpt":{"rendered":"<p>For Blur fans, it\u2019s been an interminable wait \u2013 more than 18 long years \u2013 since everyone\u2019s favourite Britpopper\u2019s last played Melbourne. It was by all accounts, a modest affair in 1997 at Monash University, which apparently wasn\u2019t even sold out. It\u2019s fair to say there\u2019s a HUGE contingent of music fans here tonight at Rod Laver Arena who are well and truly hankering for a large, fresh serve of Magic Whip!<\/p>\n","protected":false},"author":1,"featured_media":270,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[],"class_list":["post-269","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-uncategorized"],"_links":{"self":[{"href":"https:\/\/greatgigs.com.au\/index.php\/wp-json\/wp\/v2\/posts\/269","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/greatgigs.com.au\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/greatgigs.com.au\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/greatgigs.com.au\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/greatgigs.com.au\/index.php\/wp-json\/wp\/v2\/comments?post=269"}],"version-history":[{"count":4,"href":"https:\/\/greatgigs.com.au\/index.php\/wp-json\/wp\/v2\/posts\/269\/revisions"}],"predecessor-version":[{"id":275,"href":"https:\/\/greatgigs.com.au\/index.php\/wp-json\/wp\/v2\/posts\/269\/revisions\/275"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/greatgigs.com.au\/index.php\/wp-json\/wp\/v2\/media\/270"}],"wp:attachment":[{"href":"https:\/\/greatgigs.com.au\/index.php\/wp-json\/wp\/v2\/media?parent=269"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/greatgigs.com.au\/index.php\/wp-json\/wp\/v2\/categories?post=269"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/greatgigs.com.au\/index.php\/wp-json\/wp\/v2\/tags?post=269"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}